Why Did Nike Use Saul Williams' "List of Demands" in Their New Campaign? - FanHouse - AOL Sports Blog

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Why Did Nike Use Saul Williams' "List of Demands" in Their New Campaign?

Quite frankly, I haven't seen as fervent of a reaction to a song in a commercial as I have with Saul Williams' "List of Demands," which is featured in Nike's new "My Better is Better Than Your Better" campaign. Many of the uninitiated have been captivated by the song (our own Ryan Wilson's now a Williams convert, along with a few other anonymous members of the FanHouse Illuminati).

But I, a Williams fan who's seen him speak and perform live, had a different reaction. After the excitement of hearing another favorite song in a commercial died down, I had to ask myself why "List of Demands" in particular was chosen.

Its sound is immediately striking, brimming with infectious energy, and full of raw emotion and conviction. It sounds like a man with something to prove. In that sense, the mood fits the commercial well. But the lyrics are about a topic having nothing to do with ... well, anything the commercial is about. The song is about reparations.

Nike is an edgy company, and their marketing campaigns have been anything but safe lately, but it strikes me as odd that they allowed a song with violent overtones on a controversial subject to represent their company, especially with the increasing violence associated with NFL players and the league's intent to change that image. Williams sings "call the police, I'm strapped to the teeth," "protect your neck, 'cause I'm breaking out of my noose," and "I ball my fist and you're gonna know where I stand," among other lyrics.

But most of the commercial is filled with the song's first verse, which is a less specific rallying cry, and in that sense the song works well. Williams sings about having no fear and taking a stand, which can be taken out of context to describe the ferocity and dedication great athletes display. On a cursory listen you wouldn't give it a second thought.

Still, I love the song, and any chance I get to hear it. And its use has obviously been a success for both Nike and Williams, who has existed in relative obscurity. I just wonder if Nike really considered the song, or if they gave director Stacy Walls free reign on the concept.

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